Besides Tree Identification I remember participating in Natural History with Ivy LeMon - "the butterfly lady" - and Life Drawing at Jane Robbins' Thousand Hands Gallery in East Gloucester Square. The cost was $24 for 8 sessions.
. . .Dogtown College shimmered and pulsed on Cape Ann for a few years, beginning in 1979. It drew on many of the same community strengths, aspirations, and talents that energized other innovations of the period, such as the Cape Ann Cooperative School, the Food Coop, and the Gloucester Folklife Festival. All these expressed themes from the Sixties rooted in American arts and enterprise. They resolved to reach for the best and not wait for established institutions.
Physicist Steve Heims resided here then, pondering a more rewarding teaching environment than he customarily found as a college professor. He explored possibilities with his friend Jonathan Bayliss, a corporate and government administrator with deep literary interests. The conversation drew on discussions that Jonathan had had with Charles Olson and Peter Anastas on creating free universities based on Olson's years as rector of Black Mountain College. Olson imagined a local center of learning called Dogtown College, the geographic and mythic Dogtown from which Maximus emerged in his epic poem, Dogtown the protean core of Cape Ann.
Dogtown College: a word-pairing delicious with ironies.
looks over Dogtown College brochure|
Gloucester Daily Times, April 4, 1979
Courtesy of Catherine Bayliss
A core of organizers got to work. Says Peter Anastas, "We never expected that we'd have a bricks-and-mortar operation. It was going to be like the free universities of the Sixties that were kind of floating, that never had physical locations. Josh Brackett jumped in. He was a terrific organizer. The first thing Josh did was put together a curriculum as a newsletter. We had a public meeting, a sign-up. Dozens and dozens of people came. It was amazing. People wanted to learn, and they wanted to teach."
standing, second from right.|
Cover photo of literary publication
courtesy of Peter Anastas
Peter Anastas: We felt that there were incredible resources in Gloucester. Why go out of town when you had somebody like Steve Heims, a theoretical physicist who worked at the highest levels of physics, to sit down with people, explain to us particle physics and relativity? People loved it. Jonathan Bayliss had been reading Melville for 25 years. He had been yearning to share everything he was thinking about. He'd been Leo Alper's mayoral assistant. He gave a course on City government. I wanted to teach writing.
North Shore Magazine, May 19, 1979
Sawyer Free Library files
I had an incredible experience working with all these folks who were interested in writing. The course I taught - but I didn't really teach it, I was a facilitator - we called it The Writing Voice. The attempt was to have people find their own voice on the page. Almost everyone who was involved in it came through saying they learned something about themselves and about writing.
At other times we had seminars on Jack Kerouac and Henry David Thoreau. Joe Garland was involved, talking about Gloucester history.
Coming from the academic world, we really had to learn a new way of being. I had been in graduate school where the professor was king. His opinions were the received opinions. In Dogtown we opened ourselves to being challenged, and it was a terrific learning experience.
We did a twenty-four-hour Charles Olson marathon at Hartley Ferguson's apartment. We read Olson at different times. We left the apartment to go out and actually look at places in Gloucester that he had written about. People were exhausted, but they came away saying they had an understanding of Olson they'd never had before.
We got a lot of support from the newspaper. The newspaper seemed to be very interested in what we were doing. The kinds of people who became involved went beyond the arts, or writing. A lot of folks came and took courses who were never involved in the artistic community.
We raised money by having dinners, in the basement of the Unitarian-Universalist church. Chris Barton did the cooking. A wonderful person. She was running a vegetarian restaurant, The Garden of Eatin'. She cooked these enormous dinners. People would come and pay a small amount. We would have entertainment. It was a way to keep the community alive.
Eventually it wound down. We knew it was time. We knew we'd done what we set out to do. Like a lot of post-Sixties kinds of enterprises, the attempt wasn't to try to create something to last forever. The attempt was to bring people together. When people felt the time had come to move on to something else, that's what we did. And that's how it ended.