Sandy Bay Historical Society |
Judy Bogage |
Volunteer Judy Bogage is there to
welcome visitors and help with organizational chores at the Museum.
Les Bartlett |
Upstairs, Les Bartlett is scrutinizing
glass plate negatives from bygone eras, bringing his photographic expertise to
curatorial improvements of the collections, and finding gems for his in-depth
publications of local history.
As a newcomer to this den of antiquity
I find myself tip-toeing through rooms and corridors as though they contain
elements of a sanctuary, or delicate furnishings, or sleeping secrets, all of
which, come to think of it, seem to define the place. There's a sense of
anticipation that something unknown might be knowable, that our predecessors
left us clues, that experiencing the past sympathetically can be interesting or
even enlightening.
Last year Yale University Press
published The Allure of the Archives.
In titling their translation of a 1989 French classic by Arlette Farge they tease
us about the sensual aura of intimacy with ancient voices and manuscripts. Says the Barnes and Noble review of the book, "Farge’s
classic work communicates the tactile, interpretive, and emotional experience
of archival research...and an elegant literary reflection on the challenges of
writing history." I anticipate the pleasure of those pages.
A constant marvel among archivists is
the preservation of free working space. That challenge may be nearly as
daunting as preserving the collections themselves. When I heard that SBHS
received the research notes that Allen Chamberlain bequeathed to the [Pigeon
Cove] Village Improvement Society, for his 1940 masterpiece Pigeon Cove 1702-1840, research director
Gwen Stephenson managed to create a spot for investigation.
Gwen
Stephenson
examining
Allen Chamberlain's notes
|
Pigeon Cove is the colonial
fishing/farming village that grew up to sustain the granite quarrying industry
and the summer visitor recreations. At its northern tip Halibut Point retains experiential
access to these dramas of geography and history. Allen Chamberlain's narrative,
map and accompanying photographs document the early
settlement on which this activity is based.
Inside two storage boxes are field notes in his
hand collating deeds, charts, surveys, sketches, and letters. There is
correspondence with sources and keen collaborators. For someone able to sit
quietly with the pages, the excursions and processes of Chamberlain's journey
generate an inspired saga of their own. As a glimpse into genius, observes Les
Bartlett, it's akin to looking at the annotated musical manuscript of a great
composer.
"Hallowboat Point" |
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