Conversations with
the producer and the choreographer
Lisa Hahn, producer
I was two or three when I started swimming in the quarry at
Halibut Point. The Websters owned it then. We were all great friends. We lived
down the street next to them, so we packed up every day and went with them to
their quarry. When I was ten we bought the farm that became the Windhover
Center for the Performing Arts. My sister and I said, "Oh, now we can ride
our horses over to where we swim!" It was a layering of childhood
experiences.
|
Wading in the Halibut
Point Quarry, 1950s
Courtesy of the Webster family |
Halibut Point was the place where Quarry Dance was born. It
was an extension of our home. For my mother it was falling in love with being
on Cape Ann, and her mission was to bring dance into nature, as a performance
place.
|
Ina Hahn at Halibut
Point, 2011
Lisa Hahn photo |
Part of my mission through the arts, with live music and
dance, is to bring the community into touch with these amazing treasures. If
they fall in love with the landscape, as my Mom and I have, they can't help but
want to spend part of their life doing something to preserve or protect it.
|
Ina introducing
Quarry Dance I, 2011
Lisa Hahn photo |
For the Quarry Dance stage, the proscenium has been the
contour of the cliffs. That's a novel idea, a very inspired idea. Windhover's
mission is to bring dance into the community of Cape Ann.
|
The opening of Quarry
Dance VIII, 2019 |
The magnitude of what happens in a Quarry Dance can
transform people. It's larger than themselves. It's out of an ego world. The
dance that happened yesterday with the birds showing off their own
choreographic aspects, that layering of the art of Dušan's work and the birds,
elevated your whole consciousness, your whole being.
|
Quarry Dance III |
Dušan Týnek, choreographer
Ina was one of the first people who really recognized what I
did, that it was worth supporting. She trusted me right from the beginning, by
inviting the whole company here, in its second year. I mean we were babies. We
didn't know what we were doing. She already saw something she thought was worth
bringing up here and sharing it with her audience. Becoming part of her legacy.
It's a very deep covenant.
|
Quarry Dance IV |
This is a unique experience for us. We don't do many
site-specific works throughout the year. This is the only place. A flooded
quarry? Who does that? I've never heard of anybody. It's a privilege, and it's
a challenge. It's always exciting to do.
|
Quarry Dance V |
There has to be something that satisfies the soul. Otherwise the audience wouldn't come.
|
Quarry Dance V |
I tell my dancers, were going to do a Quarry Dance. Get
ready, you're going to get beat up. Start doing some push-ups. We rehearse all
the time. But it's very different when you come to a quarry.
|
Quarry Danced VII |
Dance is ephemeral, it doesn't exist beyond that moment when
you are experiencing it. Other art forms--painting, pottery, sculpture, and
such--the final product becomes a material, solid thing you can put your hands
on. It can be there for eternity. But performance--it's a reduction of the
actual experience.
|
Quarry Dance VIII |
When you see it, something that was in your head, maybe you
dreamt or you read about it. Then you had to pull all these people together,
and they all listen to you and they make it happen, and then you see it on
stage. Nothing compares to that.
|
Dušan Týnek and Lisa
Hahn
|
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